Disponible
ISBN : 9789952343663
LANGUAGE : Français
KEYWORDS : Shirvanshahs | heritage | musées du monde | expositions | patrimoine azerbaïdjanais | objets historiques | casque médiéval | inscriptions | tuiles décoratives | bijou ancien | conservations muséales | culture islamique | architecture Shirvanshah | histoire des Shirvanshahs | catalogue d’exposition.
PUBLISHER : BAKI PRESS
PAGES-NUMBER : 183
YEAR : 2018
ABSTRACT : Shirvanshahs’ Heritage in the World’s Museums explores the rich material culture of the Shirvanshahs’ state in medieval Azerbaijan by documenting artifacts preserved in museums worldwide. The book highlights a wide range of objects—including helmets, inscriptions, pottery, and architectural decorations—that reflect the artistic, cultural, and political life of the Shirvanshahs. It traces how these pieces were collected, restored, and exhibited in international institutions, situating them within both historical and contemporary contexts. Additionally, the study examines the impact of historical events, such as wars and cultural exchanges, on the dispersal of these artifacts, while emphasizing their role in representing Azerbaijani national identity. Serving as a comprehensive visual and scholarly reference, the book provides valuable insights for researchers interested in museum studies, heritage preservation, and the historical legacy of Azerbaijan.
Disponible
ISBN : 9789952807479
LANGUAGE : Français
KEYWORDS : Folk Art of Azerbaijan | art populaire azerbaïdjanais | Rasim Efendiyev | artisanat traditionnel | tapis azerbaïdjanais | textiles | poterie | métal ouvré | costumes traditionnels | bijoux folkloriques | motifs et ornements | patrimoine culturel tangible | art décoratif | traditions artisanales de l’Azerbaïdjan.
PUBLISHER : BAKI PRESS
PAGES-NUMBER : 410
YEAR : 2026
ABSTRACT : Folk Art of Azerbaijan provides a comprehensive documentation of the traditional arts and crafts of Azerbaijan, highlighting the rich cultural heritage of the region. The book explores a wide range of artistic expressions, including carpet weaving, metalwork, textiles, embroidery, jewelry, and other decorative objects, emphasizing their techniques, materials, motifs, and regional variations. Efendiyev illustrates how these art forms are deeply connected to Azerbaijani identity, history, and social life, reflecting both functional and aesthetic purposes. Through detailed descriptions and abundant visual documentation, the book demonstrates how folk art serves as a living tradition that embodies local customs, symbolism, and craftsmanship, offering readers and researchers valuable insight into the continuity and evolution of Azerbaijan’s cultural heritage.